EXCLUSIVE: Ignoring the $50,000 ultra-light 5kg full-body dummy, Jacob Elordi bluntly declared “I only want to carry the real thing” and kept lifting the actual Mia Goth for 3 straight weeks on set – The scorching-hot secret from Guillermo del Toro’s Frankenstein that Netflix is desperately trying to bury… Full bombshell details below 👇

Guillermo del Toro’s Frankenstein set in London has become the most talked-about closed set in years, and now the real reason is leaking out.

For weeks, crew members whispered about Jacob Elordi refusing the state-of-the-art 5-kilogram silicone dummy built specifically for the repeated bridal-carry scenes.

The dummy cost Netflix fifty thousand dollars and was molded from Mia Goth herself to spare her the physical strain of being lifted dozens of times a day.

On day two of shooting the now-infamous graveyard sequence, Elordi took one look at the dummy, shook his head, and said, “No. I only carry the real thing.”

What happened next has left the entire crew speechless and the studio in full damage-control mode.

For twenty-one consecutive shooting days, Elordi personally carried Mia Goth across wet cobblestones, through mud, and over fake graves, sometimes for twelve hours straight.

Insiders say Goth, who weighs 48 kilograms, never once asked to use the dummy either. Their chemistry became impossible to hide.

Between takes, Elordi kept his arms around her even when cameras stopped rolling. The two were seen laughing, whispering, and never breaking physical contact.

One night, after the 47th take, the first assistant director finally asked Jacob why he kept rejecting the dummy that was literally made for this purpose.

Jacob reportedly turned, still holding Mia against his chest, and confessed in front of thirty crew members something that instantly froze everyone.

He looked straight at the dummy lying on the ground and said, loud enough for the boom mic to catch: “Carrying that doll feels like nothing at all… carrying Mia makes my heart beat faster every single time.”

The set went dead silent. Someone dropped a light meter. Mia Goth buried her face in his shoulder, bright red.

Del Toro, watching on the monitor, simply muttered “Dios mío” and let the camera keep rolling even though the take was already perfect.

That unscripted moment is now locked in a vault. Netflix executives allegedly ordered it destroyed the same week.

Since then, the two actors have been arriving and leaving together in the same car, always holding hands when they think no one is watching.

Crew members say the daily call sheet now includes a private “warm-up” session where Elordi carries Goth around the set for ten minutes before filming starts.

One lighting technician swears he heard Mia whisper, “Don’t you dare put me down” during a rain scene that lasted four hours.

Makeup artists report that Goth’s lipstick is constantly smudged by the end of the day, and it’s definitely not from the monster makeup.

Even Oscar Isaac, playing Victor Frankenstein, has started jokingly calling them “the real creature and his bride” in front of the entire cast.

Del Toro refuses to comment, but sources say he’s secretly thrilled, claiming their chemistry is “the beating heart this story needed.”

Netflix publicity has gone into overdrive trying to keep the story quiet, terrified of headlines while both actors are in high-profile relationships.

But the secret is out. Every extra, every grip, every caterer on that London set has the same story.

Jacob Elordi didn’t just carry Mia Goth for the movie. He never wanted to stop.

And somewhere in a locked editing bay sits twenty-one days of footage showing two actors who forgot where the scene ended and real life began.

The monster may be made of stolen parts, but the hottest spark on Guillermo del Toro’s Frankenstein set is very much alive.

And it weighs exactly forty-eight kilograms of pure electricity.